Vojtěch Kaděra was born in Jeseník, in Czech Republic.
Vojtěch Kaděra was born in Jeseník, in Czech republic. He started his first musical education there, appart of singing in children choirs, as pianist and violoncellist.
Later on he changed his focus to voice and graduated in Janacek Conservatoire Ostrava. He furthered his studies with Eliška Pappová in Czech, Medea Iassonidou in Athens, and Anna Vandi and Renata Scotto in Opera studio Accademia Santa Cecilia in Rome. He attended classes with Andreas Scholl and is regularly coached and mentored by mezzosoprano Vivica Genaux.
Vojtech performed role of Amore in opera modern premiere Carlo Badia’s opera La Pscihe in festival Olomouc Baroko 2022 and later this role recorded for Czech Radio. He also formed KontraMoment Ensemble where he is focused on early barock music and contemporary music.
Vojtech is winner of Dušek - Mozart competition in Prague and finalist of Schlossoper Haldenstein singing competition in Switzerland.
He made his debut as countertenor in International Festival Wratislavia Cantans (musical director Giovanni Antonini) in Wroclaw (Narodowe Forum Muzyki), where he sang the title role of Tolomeo in concert performance of Tolomeo ed Alessandro by Domenico Scarlatti with Wroclaw Baroque Orchestra.
"...Vojtech Kadera from Prague jumped in, which deserves high praise. He blended seamlessly into the ensemble and radiated self-confidence in fulfilling the role."
- B. Mühlenhoff, Rheinische Post
Vojtěch made his vocal debut in 2012 as a tenor in the role of Belmonte in Entführung aus dem Serail with Frankfurter Sinfoniker. He has performed with various prestigious ensembles such as Czech Philharmonic, Janacek Philharmonic, Pilsen Philharmonic, Bamberger Symphoniker, Elbipolis Baroque Orchestra Hamburg, Hamburger Symphoniker, NDR Orchestra Elbphilharmonie. Vojtěch has worked with conductors such as Roger Norringhton, Christoph Eschenbach, Ion Marin, Sylvain Camberling, Helmuth Blomstedt, and Jeffrey Tate.
Media
R. Broschi Son qual nave
C. Badia La Psiche role Amore debut
Strozzi L'Eraclito amoroso
Repertoár OPERA
F. Cavalli: Ascanio / Amore “ La Didone”
F. Cavalli: Endimione “La Calisto”
C. Monteverdi: Pastore/ Spirito “L’Orfeo”
C. Monteverdi: L’umana fragilita “ Il ritorno d’Ulisse in Patria”
G. Legrenzi: Andronico “Il Giustino”
A. Steffani: Creonte “Niobe, regina di Tebe”
A. Scarlatti: Marco Attilio “Marco Attilio Regolo”
D. Scarlatti: Tolomeo “Tolomeo ed Alessandro”
A. Vivaldi: Ruggiero “Orlando furioso”
H. Purcell: countertenor “The Fairy Queen”
G. F. Handel: Eustazio “Rinaldo”
G. F. Handel: Sesto “ Giulio Cesare”
G. F. Handel: Ruggiero “Alcina”
G. F. Handel: Arsace/ Armindo “Partenope”
G. F. Handel: Bertarido “Rodelinda”
G. F. Handel: Arsamene “Serse”
G. F. Handel: Cyrus/ Daniel “Belshazzar”
G. F. Handel: Athamas “Semele”
G. F. Handel: Didymus “Theodora”
G. F. Handel: Hamor “Jephta”
Ch. W. Gluck: Orfeo “Orfeo ed Euridice”
G. Rossini: Arsace “Aureliano in Palmira”
B. Britten: Oberon “ A Midsummer Night’s Dream”
Repertoár CONCERT
J. Downland: English Lute Songs
G. Caccini: Italienische Lieder
C. Monteverdi: Salve o regina
Exsulta Filia Sion
Duette , Motetten “Selva morale e spirituale”
H. Schutz: Arien und Duette aus den Kleinen Geistlichen Konzerten
Kantaten
H. Purcell: English Songs
Ode for St. Cecilia
King Arthur
G. F. Handel: Ode for birthday of Queen Anne
Messiah
Samson /Micha
Saul / David
Solomon / Solomon
Dixit Dominus
Kantaten
G. B. Pergolesi: Stabat Mater
Salve Regina f moll
A.Vivaldi Stabat Mater
Nisi Dominus
Gloria RV 589
Introduzione e Gloria RV 588
Alla caccia
Cessata, omai cessate
J. S. Bach: Matthauspassion
Johannespassion
Weihnachtsoratorium
Magnificat
Kantaten
J. Haydn: Songs
W. A. Mozart: Lieder
L. W. Beethoven: Lieder
F. Schubert: Lieder
R. Schumann: Lieder
H. Berlioz: Les Nuits d’ete
G. Rossini: Tancredi “ Di tanti palpiti”
